Campaign: “On Going Home” 2021 Thematic Exhibition
Client: VR Film Lab
Work: Illustration, Key Visual Design
Location: Kaohsiung, Taiwan
Year: 2021

Details:


VR體感劇院.四五月主題特展
 ——— #往家路上 𝟒.𝟐—𝟓.𝟑𝟏


當我初次戴上VR裝置,眼前是一片寬廣無盡的黑色屏幕,不時有漂浮移動的符號。這樣的體驗給了我靈感,希望能在主視覺中表現出探索另一個時空的情境。於是我將雲比擬成VR裝置,黑色球體則是虛擬時空,旁有剝落的記憶碎片和此次特展選片所出現的物件元素。人物角色上,我設計了三種不同時態,分別是「尚未啟程」、「準備啟程」和「已經啟程」,由遠至近呈現「往家路上」的不同進程,搭配各自的動作和身上之物,讓觀者能有所融入。

而人和時空黑洞的影子,則分別用鑰匙和時鐘的圖像表示。影子是人的投射,以鑰匙為影子,便是傳達那把鑰匙隨時存在心上,可能是過往的回憶,也可以是未來對家的期許。只要出發,便可踏過時鐘的影子,跨越時間藩籬,前往那條找尋「家」的路上。

When I firstly put on a VR headset, there is an infinite blackness with floating symbols in front of me. I’m deeply inspired that I want to create a key visual portraying people explore another space-time to find home in the depth of their hearts.

The clouds can be seen as the VR headset; the black hole with fragments and items appearing at 9 VR films is a virtual space which awaits us to enter. In terms of the characters, I design three postures to represent different tenses, which are “haven’t departed”,“departing”and “have departed”. The viewers can find them in the image from the near to the distant, feeling an ongoing quest is happening.

Regarding the shadows, I believe that the shadows are the projections of our thoughts. Therefore I visualized the memories or the anticipations towards home as the shape of a key. Imaging we take it with us all the time, as long as we are willing to depart, we can across the barrier, then step on the road to search for “home”.







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